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Ellen Allien Releases a New Album

Cover art for Ellen Allien's Dust albumBPitch Control's Finest Looks on as "Dust" Settles

The BPitch Control mastermind is sharing her most recent, and most personal, efforts with the masses this month. Ellen Allien, remixer, DJ, producer, fashion designer, and label honcho, somehow found the studio time to follow up her 2008 release, Sool with Dust.

Dust can be characterized as an experimental album insofar as Ellen Allien is revered globally for producing and blending infectious, dancefloor-targeted music. This dismissing characterization, however, is short-sighted, failing to recognize her production skills and the inevitable urge to step outside the proverbial box. To be sure, disco- and tech-house make several cameos, sharing the spotlight with sparsely arranged techno and crunchy breakbeats.

What sets Dust apart is Allien's willingness to incorporate change within dance music's unwieldy frameworks. Her well-known approach to tracks recalls the seminal elements of dance music with a decidedly Detroit-meets-Berlin flair, but on Dust she uses this familiar ground as a launch pad for the pop-minded, string-and-vocal-driven "Sun the Rain." Tracks that employ straightforward percussion patterns give way to unstructured, but beautiful soundscapes, akin to Ben Frost but without the dread. Haunting vocal samples are layered over interesting synth patterns, oddly juxtaposed horns, and ambient-influenced tangents, sometimes mid-track.

Allien's singing and speaking neither punctures nor diffuses into these environs. Instead, it exists apart from the songs themselves, such as cabaret crooners command the attention of the room in spite of accompanying dancers and musicians. In this way, the synth-pop aspect of "You" and the tropical, sultry atmosphere of "Huibuh" are never boring, even if you find yourself skipping over them for the droning, yet urgent rhythm of "Schlumi." What is clear, whichever tracks become your favorites, is that Allien is writing songs and not 12-inches, complete works rather than flashes in a pan. She is admirable as an artist that seeks to push an envelope she has already destroyed.

Her use of sonic fragments throughout Dust fosters a sense of connectivity between what might be called a collection of disparate musical experiments. The fragments appear and fade, either as voices or instruments, and may remind older listeners of Scanner or even David Holmes. Perhaps this is Ellen Allien's sonic metaphor for dust, particularly the sort stirred by action into the air, permeating everything that shares its physical space. The album's press release, however, offers an alternative, cyclical perspective:

"You’ve reached the end of the night and, yet again, you can hardly believe everything you’ve been through. What now? You’d better dust yourself off. It’s time to start all over again."

The release date for Ellen Allien's new album, Dust, is May 17, 2010.

Check out a medley of the album's tracks.

TRACKLISTING:

1. Our Utopie

2. Flashy Flashy

3. My Tree

4. Sun The Rain

5. Should We Go Home

6. Ever

7. YouBPitch Control logo

8. Dream

9. Huibuh

10. Schlumi

 

 

Boogy Bytes Vol. 5 (mixed by Seth Troxler)

Seth Troxler (photo by Axl Jansen)Have you heard this mix yet?

I wrote about it in Newcity Chicago just in time for Seth Troxler’s debut at Smart Bar. The release, on Ellen Allien’s BPitch Control label, went public in late February, which is why I asked if you’d heard it yet.

Well, I’m about to listen to it again, and there is no time like the present to share with you the Q&A that didn’t make the Newcity article. Enjoy.



Why are your favorite songs in this mix "Time for Us" and "Birds and Souls"?
Have you heard them? SICK!

[Also] because I consider them to be a step in the direction I would love to see dance music move toward in this decade. For me, the next step isn't just beats, it’s the songs. I think that's what people of my generation want to dance to. I think these songs are what will move them to enjoy dance music, and move the rest of the dance music industry into a place where it’s acknowledged as something more than club music. I also think Matthew Dear is doing a great job with this. His new mix of "VCR" by The xx is out of hand.

You were one of the top 10 DJs of 2009 according to Resident Advisor. How much attention do you pay to rankings and media reviews?
It’s been a bit of a joke for my friends more than anything. I really love that the readers at Resident Advisor liked what I did over the past year, but it's something you can let affect you too much. Next year I could not even be in it.

I’m a dude in the end, and success can go to your head. If anything, it’s made promoters around the world who were ‘so-so’ on booking me take a step back and say, "maybe he’s not some hugely known DJ, but it seems he rocks the party, let’s give him a go."

I’ve spent a lot of years working hard and the ranking has kind of given me this professional nod where people take me more seriously now; not just some kid. I like that, but I’m still just some kid in the end. Ironic don't you think?

This is the first time a BPC outsider mixed this compilation for the label, correct? Describe the moment when you were asked to create the mix.
Funny, I was playing at Watergate, the party was going off, and Ellen was around with her friends having a blast. We saw each other out again partying, and she was like "you’re funky fresh and a blast, [do you] want to do this mix for us?"

I’m friends with a few other people from the label, like Sascha Funke and Kiki. I think they all had a talk and felt I could make something fun for them. I’m really happy and honored they thought of me.

You’ve got the microphone in your hands and you are about to drop your first record. What do you say to the crowd?
I would turn on my radio voice, and then maybe come up with something slightly sexual or funny. Off the top of my head:

"Well, hello, listeners out there in love land. I hope you’re ready because I’m going to try to work this party like Sting having tantric sex at Parker Posie’s after a DMT trip. Let’s go, bitches."

 

Callerio's Dufflebag Relaunches With Soul Society LP

House music baron Wally Callerio is relaunching his acclaimed Dufflebag Recordings imprint after 75 releases, just in time for 2010. Starting over with DBD001, Callerio is dropping nine original tracks on an album titled “Soul Society,” which can be found exclusively on Stompy.com until late January. Featuring a bevy of talent, the relaunch of Callerio's Los Angeles-based label looks to be quite the strategy, and house fans are surely keen on the news. Artists on the album include Amp Fiddler, Josh One, and Myka 9.

Changing with the times, Callerio switched his output type to digital from vinyl items, fostering the opportunity for an even larger fanbase. His style is the antithesis to mainstream dance music, possessing elements of soul and funk that leapfrog the subgenres of house music. With the relaunch of Dufflebag, Wally seeks to drop tracks “as pure as “Off the Wall” or “Thriller,” effectively moving his focus to a sound that is at once accessible and memorable.

"Soul Society" Tracklisting and audio clips (click for album art):

01 Wally Callerio, Josh One feat Myka 9 "Afterhours" (Wally Callerio Never To Late House Mix)

02 Wally Callerio feat Parris Bennet "B-bye" (Wally Callerio House Mix)

03 Wally Callerio, Amp Fiddler "Hollywood" (Wally Callerio House Remix)

04 Wally Callerio feat Myka 9 "Citrus District" (Original Mix)

05 Wally Callerio, Josh One feat Lili De La Mora "Fables" (Wally Callerio House Mix)

06 Wally Callerio, Substatum feat Allensworth "The Same Thing" (Wally Callerio House Mix)

07 Wally Callerio ft Nadine Loren "Axe" (Original Mix)

08 Wally Callerio "Sugar My Black Coffee" (Original Mix)

09 Wally Callerio feat Nadine Loren "Look At Me And Diamonds" (Original Mix)

   

Alex Zelenka’s Latex EP (Zuvuya)

With this release, Zuvuya welcomes fellow Chicagoan Alex Zelenka, a production veteran with releases on Prosthetic Pressings, Kompute Musik, Fresca Recordings, and The Source. This is Zelenka’s first release for Zuvuya, and it includes two stellar remixes--one from Monologic and another from Gabriel Palomo and SanFaçon of Kill Memory Crash. The EP also features a solo original track from Monologic.

"Latex" is anthem-style techno fueled by synths and a bouncing bassline. Simple percussivie elements add to the female vocal samples layered onto the track. Monologic’s remix makes the effort grittier, with a cleaner kickdrum and faster tempo.
Kill Memory Crash bandmates Gabriel Palomo and Alex Sanfaçon turn the tune into a frenetic blend of electro and techno with industrial undertones.

Monologic’s original tune is called "Sicko," and is the sort of track one plays during a mix’s peak, driven by forceful percussion, mechanized samples, and staccato synths. Fills and breakbeats add to the rhythmic fervor of the tune, with echoing vocal samples by Monologic’s Lee Chameleon.

 

July 2010 mix: greenberg

There is a new mix available in the Audio Downloads section. Enjoy!

 

   

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